![]() Theists who are logical (ignore the paradox) would concede here and say yes, probably. #Quiztones to never ask christians freeIf God showed himself, people would be less likely to reject him, influencing the true freedom of free will. That said, God would not make his presence so known that it would be obvious he exists because this would affect free will. As for the basic question: God gave us free will. Half of the questions are absolutely terrible, either because of false assumptions or they are leading/begging an answer, and if the answer-er does not think the answer you want is correct, he really has nothing else to say.įirst, I’m going to point out they would disregard the point after the comma as a hateful assumption. ![]() Note: Whenever I mention a question is a bad question, that is from a factual point not from a Christian standpoint. EQ is one of the most artistic aspects of audio mixing and, like everything we do, it begins with listening.How Christians would answer these questions: ![]() We make EQ adjustments to compensate for the way sources sound, for microphone placement, for the sound of microphones themselves and, most importantly, to help sources complement each other musically. These adjustments are a big part of the role of a sound engineer, as every source is unique. It allows you to tailor the sound of a source to make it fit well in the mix. This early introduction to equalization served me well when I started into live audio several years later.ĮQ is essentially a volume control for a specific frequency. Christian Hair Metal for listening at low volumes vs. in the family van for Christian Hip-Hop vs. I memorized different settings for at home vs. This new awareness opened the door to more subtle, artistic tailoring of the equalizer. I discovered, naturally, that it sounded best with all three bands of equalization turned all the way up! I’m not sure when it clicked for me, but I eventually realized that I could achieve the same result by simply turning up the volume a bit. I immediately set my nine year-old fingers to work mastering the use of this advanced tool with DC Talk’s “Nu Thang” as my source material. It was a Sanyo BassXpander with AM/FM radio, auto-reverse and three glorious bands of EQ. On Christmas morning, 1990, I received my first personal cassette player. This isn’t a concern during soundcheck, but if you make adjustments during a performance you should go about it in a more subtle way. The more you practice, the more you’ll be able to identify frequencies and make tweaks without having to go fishing every time. Remember that fishing sounds pretty strange coming through the speakers. With the target sound dialed in, adjust the gain until the frequency is cut or boosted to your satisfaction. ![]() (An analogous fishing term for this would be doodlesocking. The big boost makes it easier to hear when you’ve found it. Adjust the frequency control until the sound you’re looking for pops out. When fishing for frequencies, the proper bait is a sizeable boost of 9 dB or more (feedback permitting). Don’t worry, it’s only a temporary measure. I know – if you read my last post this will sound like heresy. Remember, you can only fish where you can sweep (sounds a bit like ice fishing doesn’t it?) so high and low shelf filters are not an option on most analog desks. In most cases, you’ll be fishing in the high-mid or low-mid bands. Whether you’re looking to squash a particular sound (cut) or highlight it (boost), you can follow the same simple process: If you’re not sure where to start with a particular instrument, go back and read it! If you identify what you’re hearing but can’t quite find it on the console, you can learn to dial in the exact frequency with a process called fishing.įishing is like a “try-before-you-buy” for parametric EQ settings. #Quiztones to never ask christians seriesOur series on critical listening is a great overview of what to listen for on most common instruments. Training your ears for mixing is a lifelong process. But how do you choose which frequency to adjust? How do you identify what you’re hearing in order to make a change? Last time I recommended an approach based on cutting frequencies before boosting. In our first post in this series we established that EQ is a volume control for a specific frequency. Although he never got into mixing audio, he possessed at least one related skill … He was as strong as an ox, loyal to the bone and knew the value of good tools. Grandpa Taylor was a handy guy to have around. ![]()
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